OSCARONO PARIS
Collection Édition

Réserve

AuteurRaphael Navot

Our Opus pattern, cut into Zambezi teak, a southern African wood far harder than oak, never planted and never felled, recovered only after it falls. Each floor is made from a single season of fallen trees, and then no more.

The Story

In the forests of southern Africa grows a wood far harder than oak, slow and dense. It is never planted and never felled. The trees stand untouched for generations, and when one finally comes down, it is the elephants that bring it to the ground. The wood is left where it falls, given up by the forest on its own terms. Only two houses are permitted to recover it, and one of them, now in its fourth generation, brings it out of the bush. Deep and warm in tone, the teak is given to our Opus pattern, where the joins disappear into one continuous surface. Each floor is made from a single season of fallen trees, and then no more.

The Search

A forest few will ever reach. From the sky, by road, tree by tree: how each fallen tree is found, geolocalized and documented.

Edition and version

Opus Réserve
Edition

Opus Réserve

Opus, in Zambezi teak.

The Opus pattern, in Zambezi teak. Made from a single season of fallen trees, and then no more.

The facts

Species
Zambezi teak, Baikiaea plurijuga
Origin
Fallen trees only, southern Africa
Hardness (Janka)
approx. 2,990 lbf · oak approx. 1,300 lbf
Finish
Smoke
Format
Opus Réserve
Traceability
Each tree geolocalized, documented, certified

Zambezi teak grows slowly in the dry forests of southern Africa. It is dense and hard by nature, and the years only deepen it. Every tree we use is found where it fell, geolocalized, documented and certified before it leaves the forest.

Raphael Navot and OscarOno Paris material research
Auteur

Raphael Navot

Paris-based designer Raphael Navot approaches material as a living archive. His work with OscarOno Paris gives historic endgrain timber paving a contemporary language for refined interiors.

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